Piano – Injuries, Tension, Pain, Strain, and Great Technique (Musicians)(Psychology)(Posture)(Alexander Technique)(Albuquerque)

by ethankind on April 5, 2014

This ebook, An Alexander Technique Approach to Piano Technique, is published on this website in a PDF format. It is very detailed and practical, and it will give you the physical tools you need to take the limits off of your ability to create the accurate piano technique you want without sacrificing your body.
This ebook is also for sale on all AMAZON websites in a KINDLE format.
Located in Albuquerque, New Mexico, U.S.A.

It is my goal to make playing and performing pain free. This goal is to find the most effortless way to apply the pianist’s technique, so that the player doesn’t pay a physical price when practicing or performing for long periods.

Example: I describe in the ebook how to sit fully upright without straining the back by over-arching or slumping as you play. You can truly sit fully upright and not immobilize the torso. This really gives a powerful flexible base for the arms to move freely from. Many of the pianist’s physical problems are caused by not supporting the arms with the torso in a way that frees the arms up to move easily around the instrument without pain and strain and injury.

In this ebook I also look in detail at the arms in performance, and I help you discover how to move and support the arms with ease – without tension and compression in the joints. I explain how the shoulder blades need to be free on the back, if you don’t want to strain the arms as you play the instrument.

I also talk about playing with a free neck, and how to play faster and/or louder without tensing the neck and the body. There is truly no need to lock a single muscle anywhere in the body as you play the piano. Think about it, when you play the piano you are in continuous movement when you perform! If you try to hold a static position, you will cause your neck, back, and shoulders to hurt. By using this ebook to find a way to make your technique continuously flow on a torso that is upright and available for playing in any position, then the pain and injuries will begin to disappear. You’ll finally realize that you don’t have a pay a physical price to be a wonderful pianist.

I write from a background as a concert guitarist and as an Alexander Technique teacher of 20 years. When I went to an Alexander Technique teacher with carpal tunnel syndrome on the guitar, I wanted to get out of physical trouble as soon as I could. And I did! It is this experience as a hurting guitarist that I never forgot. After I finished my Alexander Technique training, it is this remembered pain and fear of having to stop playing and performing that I bring to my writing and teaching. It makes it possible for me to write clearly about the main physical problems that the pianist creates in his or her body.

This ebook, An Alexander Technique Approach to Piano Technique, is very concise and detailed about how to approach the piano in a way that makes playing kind to the body. I do not hold back any information that you could only get from an Alexander Technique teacher. This ebook stands alone as a guide to healing your pain and strain and injuries, and it also enhances any work you do with an Alexander Technique teacher.

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