Jazz or Rock Guitar – How Your Body Can Compromise Your Technique (Electric)(Musicians)(Psychology)(Pain)(Strain)(Injuries)(Posture)(Alexander Technique)(Albuquerque)

This ebook, An Alexander Technique Approach to Jazz and Rock Guitar Technique, is published on this website in a PDF format. It is very detailed and practical, and it will give you the physical tools you need to take the limits off of your ability to create the accurate guitar technique you want without sacrificing your body.
This ebook is also for sale on all AMAZON websites in a KINDLE format.
Located in Albuquerque, New Mexico, U.S.A. (MOVEMENT THERAPY)
WHEN YOUR POSTURE IS NOT AS GOOD AS YOUR JAZZ OR ROCK GUITAR TECHNIQUE, THEN YOU CANNOT PLAY AS WELL AS YOU COULD WITH A POSTURE AS GOOD AS YOUR GUITAR TECHNIQUE.
Here is a very simple explanation for this. By definition, poor posture takes a whole lot more muscle to maintain than balanced posture. Balanced posture in the Alexander Technique means that you have such a gentle balanced posture going on in your body as you play the jazz or rock guitar, that sitting or standing fully upright is very close to effortless.
When a jazz or rock guitarist with poor posture goes to an Alexander Technique teacher who makes gentle radical changes to how the jazz or rock guitarist sits or stands with the guitar, why does it feel like a whole lot more work to sit or stand at ease with the jazz or rock guitar?
A jazz or rock guitarist’s posture with the guitar is usually a long term devolution of the body getting in shape to handle poor posture. What does this mean? It means that over time, if your posture with the guitar becomes poorer and poorer, then your musculature handles these usually gradual changes, as you become more and more off balance, by using too much muscle and you become more and more immobile.
Think about it. If, as you age and/or try to play the jazz or rock guitar better and better, you hunker down and collapse your torso and tense your legs more and more, you are actually doing more and more muscular work to play the guitar. So, as you get older and usually weaker, you are working harder to play the jazz or rock guitar, when you should be evolving a technique and posture over the years, that makes playing the guitar more and more effortless to sit or stand with and play.
If your posture is degrading over the years on the jazz or rock guitar, and you are tensing more and more as you go further and further off balance, then your technique is going to suffer. You cannot keep the tension of your whole body’s poor posture out of your shoulders, arms, and hands.
There is another side to this issue of posture compromising your jazz or rock guitar technique. YOU CAN BE IN GOOD POSTURAL ALIGNMENT, BUT IF YOU ARE USING MORE MUSCLE THAN IS NECESSARY TO HAVE GOOD POSTURE ON THE JAZZ OR ROCK GUITAR, YOU WILL STILL COMPROMISE YOUR GUITAR TECHNIQUE. This is core to how the Alexander Technique works with jazz or rock guitarists.
Simply, if you are doing UNNECESSARY work in any part of your body as you play the jazz or rock guitar, you will have a negative effect on your guitar technique. This means the tension level will rise in your shoulders, arms, and hands.
What if you created a balanced posture that evolved using less and less muscle on the jazz or rock guitar over the years? What if there was constant flow in your body on the guitar? What if your whole body embodied effortless jazz or rock guitar technique? What if you played the guitar as if you were getting younger and younger every year?

Ready to Learn More?

An Alexander Technique Approach to Jazz and Rock Guitar Technique

Read Ethan's eBook

Ethan Kind

AUTHOR, TRAINER "When you change old habitual movement patterns with the Alexander Technique, whether in playing a musical instrument, running, weightlifting, walking, or typing at a computer, you create an ease of body use that moves you consistently into the zone." - Ethan Kind Ethan Kind writes and is published extensively on all of the above activities. He teaches musicians, athletes, and computer operators how to stop hurting themselves, by showing them how to use their bodies with ease and coordination. He brings a unique perspective to his work, having been a musician and athlete all of his life. After training for three years at the American Center for the Alexander Technique (New York, NY), Ethan received Professional Certification credentials.