This ebook, An Alexander Technique Approach to Harpsichord Technique, is published on this website in a PDF format. It is very detailed and practical, and it will give you the physical tools you need to take the limits off of your ability to create the accurate harpsichord technique you want without sacrificing your body.
This ebook is also for sale on all AMAZON websites in a KINDLE format.
Located in Albuquerque, New Mexico, U.S.A. (MOVEMENT THERAPY)
IT IS AMAZING HOW EASY IT IS TO JUST HUNKER DOWN AS YOU PLAY THE HARPSICHORD WITH PASSION, AND DRIVE YOURSELF WITH GREAT LOVE AND CRUELTY TO THE GOAL OF PLAYING A BEAUTIFUL PIECE BEAUTIFULLY, NO MATTER THE PHYSICAL AND PSYCHOLOGICAL COST.
I really love to write about harpsichord players who demonstrate their love for the instrument by practicing consistently many hours a day, playing beautiful harpsichord literature incredibly difficult to perform, because of this love for the harpsichord.
From my perspective as an Alexander Technique teacher, is it truly loving to play the harpsichord hours a day, if you’re learning music that opens your heart, if you’re HARMING your body? Let me state it a different way: Do you have to pay a physical price to play the most amazing harpsichord music well?
I believe many, if not most harpsichord players believe so. As far as I can see, highly motivated harpsichord players are the same in approach and expectations as highly competitive athletes. They both drive themselves to excel, no matter the physical price. They both figure they’ll get injured at some point, go through rehab, and eventually get back to their sport or the harpsichord.
Let me give an Alexander Technique definition of playing the harpsichord lovingly.
YOU CAN PLAY THE HARPSICHORD WITH GREAT PASSION, AND MOTIVATE YOURSELF WITH GREAT LOVE IN YOUR GOAL OF PLAYING A BEAUTIFUL PIECE BEAUTIFULLY, WITHOUT PAYING A PHYSICAL AND PSYCHOLOGICAL COST, IF YOU STEP BACK AND ACQUIRE AND OBSERVE A HARPSICHORD TECHNIQUE THAT WORKS.
What is a harpsichord technique that works? IT IS A HARPSICHORD TECHNIQUE THAT BRINGS GREAT EASE AND FACILITY TO PLAYING THE GREATEST HARPSICHORD LITERATURE WITHOUT CAUSING WEAR AND TEAR TO THE BODY, NO MATTER HOW EXPRESSIVELY YOU PLAY.
Here is where I wanted to get to in this article. A harpsichord player is more likely to hunker down and get into physical trouble, the greater his or her love is for the instrument and its finest compositions.
Why? Because it is at this point of wanting to play the extraordinarily beautiful literature of the harpsichord at the concert harpsichord player level, that the harpsichord player hunkers down to the harpsichord, to MAKE the harpsichord do what he or she wants.
So, can you play amazingly expressively with great facility, and not get injured at the harpsichord eventually? YES!
How? You realize you can be 100% present at the harpsichord, fully in the moment as you play. What does being “fully in the moment” at the harpsichord mean? THIS MEANS AS YOU PRACTICE, YOU ARE FOCUSING ON CREATING/USING A HARPSICHORD TECHNIQUE THAT ALLOWS YOU TO BE FULLY AND EFFORTLESSLY SITTING UPRIGHT AT THE HARPSICHORD, AND YOU ARE NOT MAKING A HEROIC EFFORT TO PLAY WELL. YOU TRUST YOUR HANDS TO PLAY WELL AND TO EXPRESS WHAT IS IN YOUR BRAIN WITHOUT STRAINING FOR THE GOAL OF MUSICAL PERFECTION.
In other words, you are simultaneously in the present, consciously doing the least amount of physical work as you learn the piece, as you listen to what is coming out of the harpsichord. This means you don’t listen to the inner critic, who wants to FORCE you to just go for the notes at the expense of your mind, heart, and body.
Here’s why going for the performance at any cost is not loving. IF YOU DRIVE YOURSELF MERCILESSLY TO PERFORM A PIECE BEAUTIFULLY, THEN YOU ARE NOT GOING TO BE IN A LOVING PLACE MOST OF THE TIME. Why?
Because, if you are always striving nonstop for the perfect performance, you definitely will NOT create the best possible harpsichord technique, you will NOT reach this goal most of the time, and you will attack yourself when you fail to play the way you want.
So, I’m asking as you learn to play the most beautiful difficult harpsichord literature at the highest level, you use the most user-friendly harpsichord technique. Sit expansively upright at the harpsichord, using the least amount of physical work, with great self-awareness throughout this whole learning/mastering the piece process.
