Classical Guitar – Not Believing What the Majority Believes (Musicians)(Psychology)(Pain)(Strain)(Injuries)(Posture)(Alexander Technique)(Albuquerque)

This ebook, An Alexander Technique Approach to Classical Guitar Technique, is published on this website in a PDF format. It is very detailed and practical, and it will give you the physical tools you need to take the limits off of your ability to create the accurate guitar technique you want without sacrificing your body.
This ebook is also for sale on all AMAZON websites in a KINDLE format.
Located in Albuquerque, New Mexico, U.S.A. (MOVEMENT THERAPY)
My experience is that many classical guitarists believe it is easier to make mistakes, than believe it is easier to play the right notes. What if these guitarists are wrong, even if the evidence says that they’re all correct?
What I mean by the evidence proving them right, is that most classical guitarists find making mistakes consistently easy, because they make mistakes easily.
As an Alexander Technique teacher, when I look at the way most people use their bodies on the classical guitar, many guitar players move poorly and wear out their bodies over time. Does this mean poor posture and poor use is easier than good posture and good use on the guitar?
IT IS INCREDIBLY HARD ON YOU EMOTIONALLY TO PLAY THE CLASSICAL GUITAR BELIEVING IT IS DIFFICULT TO PLAY ACCURATELY, THAN TO BELIEVE IT IS EASY TO PLAY THE RIGHT NOTES. This means every time you play, at least at the deepest emotional level, you will approach the guitar with fear, if you believe the guitar is a difficult instrument.
So, it seems to me, it is actually incredibly hard to approach the classical guitar hedging your bets. Hedging your bets means that when you begin to play, you DON’T assume you will play the notes easily and accurately.
I really like challenging classical guitarists on what they believe. When you go with what the majority believes, you’re going to find the guitar a struggle to play with ease and accuracy. But what about the classical guitar prodigies that find the guitar easy to play?
In a very perverse way many classical guitarists find it easier NOT to trust themselves to play with extraordinary ease, so is this going with the flow? What do I mean?
IF IT IS EFFORTLESS TO BELIEVE THE CLASSICAL GUITAR IS DIFFICULT, AND THAT ITS BEST MUSIC IS HARD TO PLAY, THEN YOU ARE EFFORTLESSLY BELIEVING THE GUITAR IS HARD.
Beliefs and habits based on what the majority of classical guitarists believe about the guitar are pretty unforgiving, when these beliefs and habits make the instrument something to be feared.
Again, what about the classical guitar prodigies? They have found a way to make the guitar easy, and accuracy and interpretation something they do with ease and facility.
So, what is the hardest part of making the classical guitar a joy to play? Is the guitar hard to play, or does it seem incredibly difficult to give up your belief that the instrument is hard to play, given that probably the majority of guitar players frighten each other to death when talking about the finest classical guitar repertoire?
Look, I understand. As a former concert guitarist, I believed the guitar was an incredibly difficult instrument to play with ease and accuracy. At a certain point in my twenties I realized I was wrong.
IT FINALLY BECAME EASIER FOR ME TO ACCEPT THAT THE CLASSICAL GUITAR COULD BE EASY, THAN TO GO WITH THE MAJORITY OF GUITARISTS I HAD KNOWN, WHO BELIEVED THE GUITAR WAS INCREDIBLY DIFFICULT TO PLAY WONDERFULLY, ACCURATELY, AND MUSICALLY.

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An Alexander Technique Approach to Classical Guitar Technique

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Ethan Kind

AUTHOR, TRAINER "When you change old habitual movement patterns with the Alexander Technique, whether in playing a musical instrument, running, weightlifting, walking, or typing at a computer, you create an ease of body use that moves you consistently into the zone." - Ethan Kind Ethan Kind writes and is published extensively on all of the above activities. He teaches musicians, athletes, and computer operators how to stop hurting themselves, by showing them how to use their bodies with ease and coordination. He brings a unique perspective to his work, having been a musician and athlete all of his life. After training for three years at the American Center for the Alexander Technique (New York, NY), Ethan received Professional Certification credentials.